Peter Matussek

Medienästhetik des Klangs

4. Hörerzentrierte Klangforschung

4.1.8.3 Beispiel 3: Lord of the Rings

Quelle: Howard Shore (cmp) / Nerdwriter1 (aut): Lord Of The Rings: How Music Elevates Story; YouTube 2016 – Online: https://www.youtube.com/watch?v=e7BkmF8CJpQ&t=235s (18.07.2019).

Annotierte Ãœbersichten zu einzelnen Leitmotiven:

The Annotated Score: "The Music of The Lord of The Rings Films - Part One: The Fellowship of The Ring"
http://www.elvish.org/gwaith/pdf/fotr_annotated_score_2.pdf


Eric Rawlins, "Musical Themes in The Lord of The Rings"
http://www.woodzie.org/lotr/

#noch einarbeiten:#

SOURCES:

Judith Bernanke, "Howard Shore's Ring Cycle: The Film Score and Its Operatic Strategy" (From: Studying the Event Film: The Lord of the Rings) New York: Manchester University Press, 2008.

Editorial Review of "The Lord of The Rings: The Fellowship of The Ring"
www.filmtracks.com/titles/lord...

The Annotated Score: "The Music of The Lord of The Rings Films - Part One: The Fellowship of The Ring"
www.elvish.org/gwaith/pdf/fotr...
Eric Rawlins, "Musical Themes in The Lord of The Rings"
www.woodzie.org/lotr/

4.1.8.3 Beispiel 3: Lord of the Rings4.1.8.3 Beispiel 3: Lord of the Rings
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